«Guerra’s enigmatic drawings depict anthropomorphic animals and other chimerical beings amidst dream-like landscapes, travelling through eerie forests and across clearings littered with dry shrubs, and consist of sharp, short lines so delicate that they sometimes come across as engravings or even etchings. Like Lillian, Guerra mines blood-red gemstones from the dark caves of early 20th century modernism; associations drift to Une Semaine de bonté by Marx Ernst, or even to the works of Alfreð Flóki, in the Icelandic context, from which the present author hails.» From the Introduction by Kári Páll Óskarsson
«Guerra’s enigmatic drawings depict anthropomorphic animals and other chimerical beings amidst dream-like landscapes, travelling through eerie forests and across clearings littered with dry shrubs, and consist of sharp, short lines so delicate that they sometimes come across as engravings or even etchings. Like Lillian, Guerra mines blood-red gemstones from the dark caves of early 20th century modernism; associations drift to Une Semaine de bonté by Marx Ernst, or even to the works of Alfreð Flóki, in the Icelandic context, from which the present author hails.» From the Introduction by Kári Páll Óskarsson